8 months later
I am sitting in the middle of the bed. I have taken a shower—have scrubbed the dirt from city's monotony away. My hair is washed. The smell of citrus shampoo clings to each strand and if I turn my head just so, I can breathe deep, and remember sweet summer days from two years past. I have squeezed just the right amount of lotion onto my palms, rubbing it on my legs, my arms, my breasts at just the right pressure to produce a tingling longing. It is just the amount to make me want to run my hands up and down my legs again and again; that silky paradox that a woman is supposed to be only lasts for so long, and I want to touch and glide my fingers against it for as long as it clings to my skin. Idly, I stare at my drawn up knees, smoothing my check against them. Nothing more to do, but wait and wonder. Wait, for what, I do not know—but I sit here, naked, my silken body encased within a light blue over-washed sheet. It is, perhaps, an unconscious last attempt to retain some sort of modesty. But in this conscious world that I am bound to, I tell myself that I cling to it to ward off the chill.
I have been waiting long enough to have traced the outline of every piece of furniture in your room with my eyes as the pencil. I have painted this room, with its odd pieces of furniture and odd colors, onto the canvas that blankets my mind. Changes have been made on this canvas—colors deleted, shapes and lines added—shadows and light moving in and out of corners. I have even drawn myself. On this canvas, I am in a far different position than I am at this moment. Right now, I am in the middle of your bed, sitting with arms around drawn up legs, head resting on bended knees, eyes staring at the scarred wooden door across from the bed. But in my mind's painting—I am lying down on my back, legs spread wide, each ankle secured with rope to each corner of the bed. My hands are clutching the wrought iron bars on the headboard above my head—not tied, but still unable to move. My eyes are closed, lips parted.
No sheet hides my body in this painting. I am exposed, irrevocably and completely exposed. My breasts full and aching, slightly apart—nipples, so very light in color, are erect, waiting for your touch. A small brown mole adorns the middle of my stomach—its twin lies in the middle of my chest, above my breasts. If one took a paintbrush and painted a line from mole to mole, that line would be straight—almost as if these two moles were placed there for some purpose. Follow that line down further still, and the black curls which serve as a shield, come into view. Run your fingers through those curls, and you will find yet another small mole.
But—this is only in my mind, for here, in this moment, I sit—curled position, eyes pensively watching the doors. There is the fleeting thought of a wish to get into this position which has infiltrated my mind for you—because I know it would please you. A fleeting thought only because I pry it from my mind and cast it away somewhere in the deep recesses of the subconscious—or, at least, I try to. I am honest enough to partially admit my desire—and this is what scares me the most. So, I wait, but my body is not still—for the picture in my mind beckons, makes my body begin to react—and my imagination churns.
I imagine your hands on my shoulders firmly, but gently, massaging. I imagine your hand grasping my chin—forcing my eyes to meet yours, showing me the slight disapproval swimming in the brown depths of your eyes. Disapproval at how I am sitting—as if I were hiding. And maybe I am. I imagine wishing I were in the position that had washed over the canvas in my mind. But I am not in that position, and so you slowly pull my legs down, gently push me onto my back. And the whole time, you do not speak, showing your disapproval and disappointment only in your methodical movements. I do not trust you, you might think. But it is not that and I long to tell you so—though something tells me that maybe you know that, and maybe you know the real cause, which is even worse. You know me more than I know myself—you know all the parts that I long to hide from my vision. This is what scares me: you want me to know myself as you know me.
And I am thinking all of this as I wait—and on some level, it is a breakthrough, but one that I don't want to embrace.
I turn my head to look out the window. Night has taken over. The room is now full of shifting shadows and apparitions that beckon. A small candle is the only light, but it is a mere pinpoint. The landscape outside has turned to murky water, items no longer visible and concrete. It matches my feelings.
You still have not come—and now I worry. I hear you moving around in the other room, but you have not come for me, as you said you would. "Just wait." I can still hear your voice echoing inside this room when you led me in here. And so I have waited.
Worry turns to irritation. Irritation turns to anger. Anger at you, or myself, I know not. Maybe you have decided to forgo tonight—maybe you are doling out some sort of punishment. You know I am not good at waiting, and I wonder what you want from me. It has been three months since I moved in, eight months since the first time my eyes moved over your face for the first time. And I have given you much, but I feel as if you are still trying to pull something out of me that should stay inside. "I started this," I want to shout. Or maybe you did—and maybe I helped. Is it time to finish it?
I close my eyes. A slow ache begins to throb inside my head, and I wish for wine. Wine would help to smooth the edge of this situation—but you must know that, and so you haven't left any wine. Tea! You have left tea! Half is gone and the glass sits on the night stand. I find myself overcome with a consuming desire to throw it at your head, should you open the door anytime soon.
I tear the sheet off my body and jump out of bed. You will find me standing! I walk back and forth across the room, counting the steps. It takes exactly ten steps from one wall to the other. I will leave, I decide, but that means looking for my clothes—and you took those. Well, so I'm naked. I will walk out anyway! But I don't have a car. Why did I let you pick me up?
I suddenly stop, breath coming in and out of my mouth in short puffs. No noise comes from beyond the door anymore. Have you fallen asleep? I put my hands on my hips and scowl, stalk towards the door. The door is locked.
All night, I have been quiet, I haven't said one word. I haven't called for you—but now I take my anger out on the door, yell your name. Ten minutes pass by, still I do not hear your footsteps, and I know you are not coming. I sink to the floor, pressing my head against its hardness, hoping that this impenetrable spirit of the door will somehow soak into my mind.
I do not know how long I stayed in that position, crouched by the door, hoping that I would hear your footsteps, knowing that if you entered the room that I would punch you. I slowly stand up, look at the bed. Images pervade my mind and I become lost in them. My gaze wonders up and down the bed, and it is only then that I see the ropes. Ropes. My lungs suddenly don't work. Air claws its way up my throat but it is unable to escape. Ropes. I step closer to the bed, run my hands over the covers. Ropes attached to the headboard and footboard. Suddenly, I've never been so thirsty. I pick up the glass of tea and take huge swallows. But it is not enough; dryness coats my mouth.
Pictures shoot through my head, pictures I have no desire to see. You know that I have resisted the use of ropes. You have gently pushed and prodded as to why, though you already know. You want me to know, to understand myself. So far, I have hidden those reasons away from myself. If I were to look, to examine, I know what I would find—on some level. My heart quakes at the thought of forcing myself to come face to face with my desires, my whole being. But I do not want to find this out. I do not want to admit to myself what you know of me.
My body folds and I sink to the floor. I wrap my arms around my legs. You ask too much. Too much. And, what? Are you going to keep me locked in here? Force me into looking inside myself? It won't work. It won't.
Have you gone to sleep, I wonder. It is late, but there are no clocks in this room. I lie down on the floor. I won't sleep in that bed. Your bed.
"And how do you know me?"
"I know you. I know what goes on inside that body of yours, inside that head. I know that you react to my every glance, my every movement. You want me to touch you." Your voice is like thick honey. I am captivated.
"You are wrong," but I am trembling.
"Do you think you can always hide?"
"I am not hiding," I clasp my hands, "I'm not. You should leave. This was a mistake."
"Leave? A mistake? There is no mistake. You have given your friendship to me, and I have given you mine. You knew what I wanted from the beginning, and you still continued to see me. There is no mistake."
"Yes, there is. It's too much—you're too much," I look towards the door.