The gallery was converted from a set of offices above a warehouse in a rapidly gentrifying part of town. The confusing maze of internal walls and narrow corridors had been taken out to leave a big open space in the centre with a ring of smaller rooms leading off it. The rooms along the wall with the windows facing out into the street were offices for gallery staff and the rooms around the other sides were used for shows and storage. The whole space was painted white but the floors were old dark wooden floorboards and the roof was high with all the wooden beams and air-conditioning ducting left exposed. Stairs from the street door below came up the middle of the big room, with a railing around the space they left. The gallery had been running for a number of years as the area around it slowly acquired arty shops, now growing expensive, and more warehouses were converted into artists' lofts and apartments. Despite the bright walls and big space it had an intimate, lived in, survivor of a bohemian past, feel.
Mistress C, in her unfamiliar role as curator, and the gallery Director stood near the top of the stairs surveying the main room. Everything looked ready. Near them were two big solid tables in dark wood laid out with wine glasses and bottles ready for the guests for the opening night. The pictures for the exhibition were all up and the videos in the side rooms were running. Mistress C could hear them faintly from where she stood. The elder of the two serving women at the drinks table was studiously avoiding looking at the pictures around the walls; the younger one was still a little flushed and trying not to be caught looking more closely. Mistress C thought that was a good indication for the public reaction to them.
The photographs were arranged in a single row each with a bright spot light giving it a pool of brightness with its associated material. The shots was printed out 12 by 8 on glossy paper and mounted on black cardboard so they stood out from the wall. They were not framed. All of them had been taken on a cell phone camera so the size made even the best of them grainy. There were no captions but next to each photo were text messages printed out on pieces of thick cardboard. They were not arty shots. In all there were 107 pictures of a man's penis.
Near the centre of the room, on the other side of the stairs from the drinks table there was a naked man in a small cage. He was brightly spot lit and a camera hanging from the roof was trained on him.
Mistress C walked down the room and looked into the smaller rooms on either side. Yes, the films were playing and seating in big dark leather couches had been arranged. She turned and nodded to the gallery Director who smiled back in return. They were good to go. As she walked back to the drinks table the first guests arrived.
Mistress C didn't know the first couple who came in - they weren't scene people. They were in their mid-30s, smartly dressed in office clothes and they looked very nervous, which wasn't helped at all by finding the gallery nearly empty. MMistress C watched them with interest β she was keen to see if the Director was right. Would ordinary people accept this as art or would they be horrified and rush off to return with the police? The couple quickly took a drink each and stood very close together studiously reading the big information panel on the wall. Mistress C found an orange juice and stood near the drinks table, trying to follow what the couple's reaction without staring.
The information read:
Compliance
On the 18th 2008 November Mistress C asked her slave to text her a photograph to prove he was locked up as she had asked. She liked getting the photo so much that she demanded more. Over time the taking and sending of the photographs evolved along with the intensifying sadomasochistic relationship of Mistress C and her slave.
As you follow the sequence of texted photographs around the room to the left, you can see those changes reflected pictorially. At the time of the first photograph the slave lived apart from Mistress C and worked in an office. By the end of the year he was a full time slave to her, working from her house, naked and in chains, on various publishing and internet projects.
In order to be sure that her slave could not store images and send them later, Mistress C often texted a message to be included in each photograph and asked for the date to be included. After she received each image Mistress C often responded with another text. The texts are reproduced next to their images.
Accompanying the main sequence of photographs is further material in the side galleries to provide context. Be warned - this is not for the faint hearted. Some people may find the images disturbing.
Mmm, thought Mistress C, anyone who found the images disturbing was going to have a lot of trouble with the entertainment she had planned for the evening. She hoped that the Director had judged her audience well and no one had them both arrested.
The smartly dressed couple had finished reading the warning and started to work their way around the photographs. They were holding hands tightly, looking flushed and intense but not upset. The first photo was mostly quite out of focus. It was of a cock encased in an acrylic chastity device. The cock ring was locked to the cage by a plastic tag and it was clear that the chief aim of the photographer had been to show the serial number of the tag so it could be read. The penis was blurred but you could see that it wasn't erect in the cage. There was nothing overtly erotic about the photograph but it seemed to have caught the interest of the couple. The printed out text on the left of it said 'Prove you are locked' and the one on the right simply said 'Good slave.'
C hadn't been sure about including that photo in the exhibition because it was so unexciting but the Director of the gallery had insisted as soon she had seen it. It was important to show how the whole thing had started. C had originally invited the Director to her house for tea to discuss displaying a set of professional studio pictures of her slave being tortured that she was going to sell. After looking them over the director had been disappointingly uninterested. What had really fascinated her was C using her slave as a tea table. They had had a long discussion about the training required to make it work. Mistress C explained to the Director how she had used full teapots of water getting hotter and hotter. If he moved and spilt the water it hurt him worse than just the heat from the pot and he would get a beating as well. Mistress C demonstrated how well the training had worked by whipping his thighs with the tea still on his back. He cried out but didn't spill a drop. The Director was completely taken by the idea of using the man as furniture and having him suffer. She felt the man's reddened thighs then reached under him to feel if he was excited and found he was locked in a chastity device that wouldn't let him get fully hard. Her fascination grew β especially when Mistress C told her that her slave sometimes wasn't allowed to come for weeks at a time. The Director couldn't understand how a man would let himself be used like that without immediate sexual satisfaction.
So Mistress C went back to to how it all started, with her need to be sure he was locked up as she had asked when she couldn't be there, and that reminded her of the all photographs still left on her mobile. She took it out and they looked at them on the tiny screen; she hadn't deleted a single one. The Director was delighted with such a fresh and novel record of the man's enslavement and immediately pictured an exhibition based on these quirky cell phone photos - grainy and out of focus though they would be when they were printed out. They told a genuinely new story. The big artistic studio glossies were interesting in their way but could be used as basically just merchandise.
The Director's interest in the tea table had had also surfaced in the exhibition. Videos of the slave being used as various sorts of furniture were playing on one of the gallery rooms. If tonight's demonstration went well perhaps Mistress C would bring him in to be a table during the exhibition from time to time.