My mistress produced from a canvas portfolio a set of illustrations that the captain of the ship that had just returned from the east had commissioned. They showed the prisoners of that country undergoing interrogation. Beautifully drawn and coloured with many different hues they had been put onto fine vellum sheets. The artist clearly a person of great talent.
" I think that they will make excellent wall decorations as well as offering ideas as to how I might entertain myself with you. What do you think slave?"
I looked upon the first of the illustrations. It showed a man, completely naked, his body contorted into an unnatural shape by ropes that both secured him and bound him to a sturdy circular post that seemed to have been a tree trunk that had been cut off at about head height. The scene appeared to be situated in a town square. Buildings in the background had roofs that I now know to be what is known as the "pagoda" style and are most common in that far off land.
The victim, for I will call him that, must have suffered considerable distress. He had been placed on his knees before what is known as the "punishment post". His arms were not visible, having been lashed behind his back. He was balanced upon his knees, his ankles having been drawn up behind his thighs and roped around them in such a way that, with the passage of time, the pain would have been intense. Mistress informed me that, depending on the crime of which he was accused, he would have been left in this position for hours or even days before either release or sentence.
"They are very beautiful pictures mistress, I am sure that you will enjoy looking at them."
Her smile was both inscrutable and enigmatic.
"Oh yes, and I will enjoy even more recreating the scene for my pleasure."
She picked up a canvas bag and took from it a jumbled collection of leather straps connected by metal rivets. Approaching me she said "Open your mouth wide."
A plug made of a thick leather pad attached to leather straps was forced between my teeth, filling my mouth completely. The leather straps buckled around my cheeks. As she secured more buckles the whole contraption gripped my head in a firm embrace. The leather plug tasted pungent in my mouth, not only preventing me from speaking but also serving to stifle any sound whatsoever, apart from a strangled gurgle. Lady Athelnia explained that the purpose of this device was to silence the miscreants so that their cries would not disturb the townspeople during the night as their agonies became too extreme to bear.
Once I had been fitted into this cruel device my mistress set about recreating the scene from her picture. In the absence of a post my arms were bound across my back with wrists secured to opposite elbows. She drew down the iron hook attached to the chain of the hoist and adjusted it so that I was balanced. Finally my ankles were drawn up behind my thighs and tied off with ropes.
She stood back to admire her handiwork, the flickering light of the candles dancing on her black leather bodysuit and laced knee boots. The pain was building already, and I knew would become greater with every second I remained bound in this position. But as well as the pain I felt something else, a great and overwhelming love for this beautiful woman who was torturing me. I wanted her to derive as much pleasure as possible from her acts of cruelty. I felt that it was a unique privilege to suffer for her. I knew that there was no trial or tribulation that I would not accept to further her enjoyment of the things that she chose to inflict upon me.
I am, of course, aware of the unusual nature of these feelings in relation to a person inflicting such an extreme degree of pain but can only say that my mistress has cast something akin to a spell over me in this regard. I am in effect powerless to resist or reject her desires to use me in this way for her pleasure. I would go further and admit that I am fully complicit in her actions. I look forward to the tortures that I endure for her. Paradoxically at the time of their execution I desire nothing more than for them to cease. Prior to her fitting me with the cruel device that prevents any communication of my distress I would beg for her to cease the torments. Such entreaties had no effect whatsoever, indeed they seem to heighten her enjoyment of the things that she does to me.
Sometimes, in my throes of agony, under the duress of her whip, cane, or any of the other devices she would pause and approach me. The touch of her hand, gloved in the finest black leather, would gently stroke my face as she explained, quietly, gently, that my suffering was important to her, providing the satisfaction that other women feel only when being penetrated by their man. I find myself reluctantly nodding my silent agreement to the resumption of her tortures, steeling myself to accept and embrace the pain that she inflicts, knowing the delight she feels within her breast as she watches my suffering. I cannot deny her this pleasure and in this way I am fully complicit in her actions.
And this raises another issue inside my head. In the midst of a torture session, with my agonies at their greatest, I would accept in a heartbeat the opportunity that I so casually spurned to make my escape. But, once the session is over, the idea is driven from me completely. My infatuation with her so total, that I would be prepared to accept any of her tribulations with equanimity just to please her. That rare occasion on which she removed the silver device that keeps me permanently separated from the pleasure that a man so desires, that moment when his seed is expelled from him with the most sublime of feelings, as if his whole body is being ripped apart in a way that makes it the pinnacle of delight, that few seconds of my existence outweighs all her tortures.