A word of warning. This story revolves around erotic asphyxiation, often referred to in the context of BDSM as breath play. This activity is dangerous, and this tale must not be considered a how-to guide to safe practice!
But breath play is a thing in the community, and if you really have an inclination to participate, please seek reliable information on how to play as safely as possible from BDSM support groups and clubs. Don't play aloneβthat's especially dangerous, and above all, keep it consensual.
Oh, and if this warning creeps you out, this story may not be your cup of hemlock, er, tea!
Sincere apologies to those of you impatient for the next episode of Incipiunt Vitae Novae. I've got one in the works, but it's an uphill climb. Also, if you're accustomed to my F/f stories, beware. This one is seriously CF/nm, with more than a whiff of male homoeroticism. Just so you'll know...
*************
It's a long strange trip to the Fantasy Fulfillment Center.
Don't get me wrong. The trip's not all that strange, but the experience is, let's just say, special. And that's not the destination's real name either, just what I like to call it. There's no point looking for it that way. Whatever you find will be something else.
Good thing I already knew how to get here!
For me the trip is indeed rather long. I crossed an international border, then drove considerably further north, deep into sparsely populated countryside where only sympathetic law enforcement takes any interest in what's going on. There's no place to stay nearby, so I took a motel room closer to the border and drove the rest of the way this morning.
I'll return home tonight. Then again, I may not.
And it's not my first time here, though it may be my last, for several reasons.
For one, it's expensive.
****
It may be in the middle of nowhere, but from the front the building looks just like any ordinary suburban clinical facility; a single story of brick, a clear glass entry door in the middle, flanked by wide windows with sills a meter up from the pavement. Lintels an architecturally parsimonious meter above that.
That's it for windows, and the view through those is obscured by venetian miniblinds. The asphalt parking lot has plenty of space, and plenty of potholes, but you don't have to park there.
Actually, you shouldn't.
Down one side there's a parking shed, more like a barn really, with a solid concrete floor. That's where I parked.
It's big. Six stalls, separated by privacy barriers.
The stalls are wide enough for vehicle doors to clear the dividers, so the shed is long, and since the roof slopes down to the back, it's high in front. It puts me in mind of a huge leviathan, with a vast, gaping mouth ready to swallow me up.
Not so far from the truth, I reflected, shivering with deliciously elevated anxiety as I pulled into stall number two.
I'd taken care to be well on the early side, so I was a bit surprised to arrive second. As I started to turn in I caught a glimpse of the first vehicle's occupant, eyes reflecting in his rear view mirror for just a fraction of a second as he glanced up. Once I parked he was hidden behind the divider.
****
About this shed. The barriers extend about two and a half meters up, making for pretty good privacy. They're open at the bottom half a meter or so, and stop short of the ceiling except at the back; elsewhere the structural posts run the rest of the way up to support the roof. The back wall extends all the way down to the concrete.
There are doors through that wall, one for each stall. They open onto a walkway which is protected by another shed roof, this one anchored on its high side to the main building. The other side overhangs the parking shed with plenty of clearance, so the walkway is well lit when it's sunny, like it was this morning. When it's dark or overcast, lights along the building wall keep the walkway from being spooky, though the parking shed can be.
All this is here so we can get to the front door privately, discreetly.
****
So I didn't get out. No one does, until it's time. I knew that the door at the end of my stall would be locked, as would all the others.
Perhaps you can understand why we don't want to run into each other, at least not yet. These dark fantasies blossom best in the shadows, and we'll be most intimately exposed to one another soon enough. Best leave it 'till then. We wait in our cars until we're called.
And if you find the shed spooky, you can use your car's lights. But for me, the spookiness adds an extra frisson of excitement.
****
Today's deadline was 9 am.
It's not a deadline, exactly. We're encouraged to enable tracking on our phones, for the last 30 kilometers or so at least. Arrival 15 minutes early is the norm, and more than 45 is discouraged, since the staff don't want participants losing their nerve. If they see you running any earlier, they'll call you and suggest a place to stop for coffee.
And if someone's running late, they'll hold the show, perhaps as much as 15 minutes depending on the reason, though the offender will get an earful, and perhaps a lot more.
I parked at 8:25, so I anticipated a rather long wait. I rolled down the front windows before I turned off the engine, eager to enjoy the cool spring air, perhaps for the last time. But this morning everyone seemed to arrive promptly; the next participant pulled in five minutes after I did. By 8:45 everyone was here. Just fifteen more minutes, I thought.
Nice thing is, they'll start early if everyone's arrived and they're ready too.
Which is what happened today. I heard a ringtone from stall one right after the last car pulled in.
His car door opened, then closed, followed by a beep-beep. Then the click of an electric lock, and the sound of the door to the walkway opening and closing. They call us in in the order we arrive, so I prepared myself mentally. Three minutes later my phone rang.
'Fantasy Fulfillment' popped up on the screen, just as I'd typed when I created the contact.
I answered immediately.
"Come on in," I heard, in sultry contralto. Then a click.
No need for a 'be right there' from me. We're not expected to reply, just do as instructed.
I didn't bother rolling up the windows. There's plenty of security coverage and it wasn't going to rain. I just got out, went to the door, waited a moment for the lock to click, then walked through, closing the door behind me (though that wasn't strictly necessary; they will close by themselves). I followed the walkway around to the front of the building, where I could see the receptionist through the glass, eyes peering at me over her computer monitor. I hesitated, wondering.
Do I really want to do this?
Am I afraid?
Yes, I was, a little. Maybe. More like nervous, and also excited, far too excited for my own good. So no second-guessing. I didn't want to hold up the show. I stepped up to the door. A second later its lock clicked.
I pulled the door open and walked through; it closed behind me with a solid clunk. I crossed the meter and a half to the receptionist's window.
"Marcus?" she inquired, hardly looking up from her screen.
Not quite your usual receptionist, but no great surprise in a place like this. Seriously goth, spiked collar, black lipstick, dark hair spilling onto her shoulders, and lots of metal on her face and ears. Tattoos covered as much of her neck as I could see. I couldn't see anything below that.
"Yes."
"Side B. To the right."
Door B is glass, but frosted. The lock clicked as I approached.
I went through, into a neatly outfitted office. Light filtered in through the blind-covered window. On my left a built-in desk curved away from me, intercepting the back wall with enough space left over for another door, leading further into the building.
All this was quite familiar. Door A, to the left of the receptionist, leads to a similar office, just mirror-imaged. I've been there too.
An armless straight-backed wooden chair faced the desk.
On the other side, a black-leather-masked woman sat in a far more comfortable-looking black leather office chair, the black relieved by reddish-brown trim which highlighted charming streaks of auburn in her dark brown hair.
Her studded black-leather jacket, zipped two thirds of the way up, covered all but a modest vee of bunched-up black turtleneck, while the mask, which extended below her chin, conspired with the turtleneck and the wide turned-up collar of her jacket to completely obscure her neck. Black leather gloves encrusted with little metal studs encased her hands
She glanced up from the paperwork in front of her.
Only a small triangle of her face was visible, framed by the off-center parting of her hair above and the top of her mask below.
"Sit down, Marcus."
Once I obeyed, she did not seem unfriendly, in spite of my previous history. She might even have been smiling behind that black leather mask, and her eyes twinkled softly behind her glasses. Diamond-studded onyx rings a good two centimeters in diameter dangled from her ears and waved enticingly as she spoke. I couldn't have cared less if they were real or synthetic.
She pushed a form toward me. This was no surprise; I'd read it carefully on my computer a dozen times at least, but I knew it required a physical signature each time. She locked eyes with me.
"This is your last chance to opt out. As you know, there are no safe words. Are you absolutely sure you want to do this?"