This was a hard chapter for me to write, and I'm told it is a difficult read. In truth, it is my third attempt to tell the next part of Mackenzie's story. After the encounter at the Kennedy Center, I wanted to reward her bravery and my first draft was all sunshine and puppy dogs. It was kind and filled with joy, which felt so good to write for her. It just wasn't true. Progress isn't a straight line. It's jagged and filled with steps back and sideways and often any way but forward. False breakthroughs that only lead to the real obstacle. The work is often exhausting, which is why so many of us become stuck in place. I realized that Mackenzie has been stuck for so long that letting her out of her own cage that easily was just lazy on my part. So, I set that draft aside and began again and then again until I saw what needed to happen next. Where Mackenzie needed to get to finally become unstuck. Sometimes the only way out is through.
- A.
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The host guides us back through the restaurant to a plush booth with a wide leather banquette that I have to scooch around to sit near Jack. And scooch I do because his physical presence is the only thing keeping my shit together. I was doing alright in the car, but now I feel jittery and wildly overstimulated as if I've mainlined caffeine all day. Dinner did sound good back at the Kennedy Center, but if I'm being honest what I really need is to curl up in a dark room and watch about twelve straight hours of the Great British Bakeoff. How much heartache would it have saved if I'd said something right there and then?
The staff clears the two empty place settings while a waiter hands a menu and wine list to Jack. Everyone seems to recognize who is calling the shots here, and it's definitely not yours truly. When the waiter takes our drink order, I order a dirty martini, which I drink much too fast hoping it will settle my jumbled nerves. It doesn't, and I pout when Jack won't let me have another until I eat something. I try arguing that olives count as food, and he fixes me with a look that makes my mouth snap shut.
My weekend bag in Jack's trunk has makeup and a hairbrush, so I was able to fix some of Linda's damage on the drive over from the opera, but there are limits to how much a girl can do at night in a car visor mirror. A woman at a nearby table stares at me a little too long, and I become paranoid that I didn't do a good enough job. She can tell. Everyone knows what I did. What I am. I excuse myself to the restroom to check out my patch job in the mirror. Thankfully, it's not nearly as bad as I imagined. I just look, well, mediocre, which fills me with a paralyzing embarrassment and sadness that I know rationally is a massive overreaction but feel powerless to prevent.
Before Jack sent me up to Robert's box at the opera, he said that I represented him. That struck a chord in me and caused me to care about pleasing Robert in a way that I wouldn't have otherwise. Focusing on Jack's approval is what got me through the experience and even gave me a sense of pride. Pride that is fast waning and leaving a terrible vacuum in its wake. If I represent Jack then not looking my absolute best is letting him down. Walking into an upscale restaurant with a woman on his arm, he should be the envy of every man in the place. They should see her and question what they're even doing with their lives. Instead, his date looks like a street urchin from Les Miz. I regard myself in the mirror with loathing.
I might have stood there forever except three women enter the ladies room talking and laughing. That's my cue to scurry back to the safety of the table and Jack. The menus are gone and in my absence, he has ordered for both of us. I ought to be offended, but honestly it's a relief. That kind of decision-making feels entirely beyond me just at the moment. Everything is too loud, and even the subdued sound of knives and forks on plates makes me want to scream. I'm a raw, exposed nerve and my emotions keep swinging from one extreme to the other. Why can't I just sit still and be the kind of good girl Jack wants? I try to focus on doing that, but he can tell that something is off with me.
"How are you?" he asks, taking my hand under the table.
"I don't know how to describe it," I say, searching for the words. "Vacant? Bleached out."
He nods at that. "Not a great feeling."
"I don't love it," I say not wanting to be dramatic.
"That might be drop."
"Sub drop?" I've been reading about it in the books Jack assigned me, but it sounded like made-up bullshit.
"That's right."
"But I didn't even had sex," I say, trying to decide if what Linda did to my face counts. I know
she
had sex, but did I? Can a pillow claim it had sex if someone humps the stuffing out of it?
"Sex has nothing to do with it," Jack says. "Drop is an emotional and chemical reaction. During anything intense, BDSM or otherwise, your body floods with endorphins and adrenaline. When that all leaves your system, its absence is felt. Sometimes mildly, sometimes acutely. High highs can lead to very low lows."
"And that's what's happening to me?"
"I don't have enough of a baseline with you to say for sure. Every girl is different."
"So how do I make it stop?" I don't give a fuck about the theory behind it right now, I just don't want to feel this way anymore.
"Often it's just a matter of time, but we can also just leave. Get out of here and go home."
I should agree to that, but I don't want to ruin his evening. He just ordered. "No, I'm fine."
"Well then we start with your Dom taking good care of you."
"Will you tell me I'm okay?"
God, I'm so needy.
He squeezes my hand. "Mackenzie, you're more than okay. You're a goddamn revelation."
That helps a lot, and I dig for more praise. "So you're proud of me?"
"Look at me," he says, turning in his seat to face me. "I am immensely proud of you. You understand me?"
I nod and lean my head against his shoulder. "Thank you."
"We should get some food in you. That'll help, too. Are you hungry?"